2013 May 14 Tiffany Burke

How Do We Use Smartphones? A Look at D2

iPhones are the device of choice at D2

Last month, we polled  employees here at D2 on what mobile devices they use, and how they use them. Does Apple come out on top at D2 like recent sales trends are showing? Or are we coming closer to the 50-50 split trend seen a few months ago? Let’s take a look at the numbers!

What type of phone do you use?

  • iPhone – 64%
  • Android – 32%
  • Non-smartphone – 4%

iPhones are the clear winners, though our Android users love their Android devices. Most people don’t seem to be thinking of switching to the other side. We also have one person who is still using a feature phone! Why? It keeps her from being glued to her phone all the time, and there is something nice about a phone with the keyboard. (I have to admit, I don’t blame her – I miss buttons too.)

What is your favorite app?

The apps people shared as their favorites span several categories: Work, Utility, Social, and Entertainment. Click through the jump to see a selection of our favorites!  Read the rest of this entry »


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2013 April 23 Brian Williams

Video Compression 101: H.264

In Part 1 of this post, I introduced you to the world of codecs and the problems inherent with them. Here, I’ll explore what I see as the “cure-all” codec: H.264.

The Challenge

Maintaining picture quality, especially these days, is a must. Hi-def formats (1080p, 720p) are now commonly presented online. And audiences expect to be able to expand viewing windows to full-screen on monitors that are likely set to display at high-resolutions.

A look at the encoding process

Look Better

Video files have always been “heavy” and Hi-def has “super-sized” these files. At D2 Creative, we use multi-core computers, terabyte storage, and fiber networks to process and move these files while maintaining their original format; however, when it comes time to distribute the video to an audience via a local computer or web download, the final files need to be a tiny fraction of their original size to be both distributable and playable. The sophisticated and efficient compression algorithm of H.264 squeezes more information into fewer bits. And lower bit rates mean lighter-weight files—without sacrificing picture quality. Read the rest of this entry »


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2013 April 1 Brian Williams

Video Compression 101: Codec Confusion

You’ve created a brilliant piece of video. Stunning lighting. Insightful graphics. Breathtaking performances. So how do you actually deliver that video to the widest possible audience? And how do you insure that it looks good when it gets to them?

Video Compression

Video, by its very nature, is dense with information. Since video first started to be displayed on computers, people needed a way to funnel BIG video files down to a SMALL size that could be played back on local monitors. That “funnel” is software that COmpresses and then DECompresses a video file for viewing… or COdes and DECodes. Whichever way you want to think about it, the program that does this conversion is referred to as a CODEC. The term “codec” is also used colloquially to refer to various video compression formats.

Over the years, just as computers have gotten faster and more versatile, so have codec algorithms. This led to a confusing array of video formats (i.e. MPGs, AVIs, MOVs, WMVs, FLVs) that each use a different codec. Each had a purpose. Some are still used. But unfortunately, many were incompatible across platforms and browsers.  Read the rest of this entry »


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2013 February 19 Laura Vitez

The ABCs of Adobe DPS

Part 2: Adobe Digital Publishing Suite

In Part 1 of this series, I explored digital publications made with Apple’s iBooks Author. Today, I’m addressing another popular route for interactive publishing: the Adobe Digital Publishing Suite (DPS).

What is DPS?

Wired Magazine is an example of a publication using DPSSimply put, Adobe’s Digital Publishing Suite is a bundled collection of tools that provides everything needed to create interactive, rich media publications for tablets.  The tools cover the entire workflow, from design through to distribution.

If you’ve made the switch to reading magazines on a tablet, you’ve no doubt interfaced with publications built using Adobe’s DPS.  Until very recently, only large publishers could offer publications built on the DPS platform; however, new licensing options now make DPS a viable choice for other types of organizations to produce such multi-part and one-off publications as catalogues, annual reports, brochures, manuals, and so forth.

How is DPS different from ePub?

The “ePub” term is often used generically, like “Band-Aid” and “Kleenex,” but the types of publications you would create with DPS would not translate to the world of ePubs.  ePubs are the text-heavy books typically consumed on eReaders and smart phones.  They are far more limited than publications created with DPS, both visually and functionally.  At the same time, ePubs provide greater flexibility in terms of the manipulation, distribution and sharing of content.  Read the rest of this entry »


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2013 February 13 Hayley Trowbridge

Top Strategies for Social Media Campaign Success

Social Media StrategiesRecently, I came across an excellent post about strategies for successful social campaigns. Using research that analyzed the social efforts of more than 400 companies over the course of three years, the author explained nine strategies that repeatedly led to thriving social campaigns, increased social sales, expanded brand networks and so on.

Social media is a living, breathing business strategy that depends on successful relationship-building. Defining your own goals is important, but understanding the needs of your audience is essential.

Here’s a summary of the nine most effective strategies employed in successful social campaigns:

  • 69% of businesses recognized that not all needs, goals, timelines and budgets are the same, so obsessing over the competition isn’t worth it
  • 79% embraced public criticism by responding proactively and earning respect
  • 80% understood that usability is more important than design
  • 80% determined which direct campaign results could be measured repeatedly and built customized, reliable toolsets accordingly
  • 90% prepared by defining both their goals and how much leeway they were willing to give to achieving those goals
  • 90% made frequent micro-adjustments to stay on course and transition smoothly
  • 95% respected their social members by listening, responding and acting on worthy suggestions
  • 98% opened up to Q&A sessions to encourage feedback and demonstrate audience appreciation
  • 99% involved their whole company, creating a sense of community by making thought leadership accessible and personable

Bottom line: if you aren’t employing these practices, chances are your social campaign could be doing much better.

Want to know more? Read the original article by Joseph Carrabis: 9 ways to Guarantee a Winning Social Campaign


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Posted in Marketing, Media